News

Caption: During a clash, protestors using homemade weapons such as slingshots and toy guns, defend as the security forces fired on the protest, in Tharketa township, Yangon, Myanmar, March 28, 2021. Soldiers and the police killed more than 126 people on the weekend of March 27 and March 28, according to the Assistance Association for Political Prisoners, a human rights group that is tracking the deaths. At least seven were children, including a 5-year-old boy, two 13-year-old boys and a 14-year-old girl.

The photographer grew up in Yangon and has documented important social issues in Myanmar including the military-run jade industry and the Rohingya crisis.
They have been a regular contributor to The New York Times covering Myanmar and other stories across Southeast Asia. Their work has also appeared in National Geographic Magazine, GEO, Stern, 6 MOIS, La Republica and The Wall Street Journal.
Since February 2021, when the Myanmar military staged a coup, the photographer has been covering the ongoing turmoil on assignment for The New York Times. They remain anonymous to protect their identity and avoid persecution from the authorities.

© Bayeux Award photo 2021 – Anonymous / The New York Times

The report must have been made between 1 June 2021 and 31 May 2022. A €7,000 prize is awarded in each category.
The reports must be submitted to the following address by June 7^th 2022: info@prixbayeux.org with a link to download the entry

The categories of media represented are: radio – photography – television (short and long formats) – written press and the young reporter prize (photo this year)

TEN PRIZES ARE AWARDED

REGULATIONS

Reports published or broadcast only on digital media can apply in the same way as others (regardless of whether the report has been published in photo category).

• The Young Reporter’s Award: in 2022, the category is photo. Since there is a different category according to the years, the presented story must have been realized between 1 June 2020 and 31 May 2022.

• Written press category: the application must be made up of an article or a series of 1 to 5 articles on the same subject.

• Television category: the length of the report must be between 1 minute 30 seconds and 6 minutes. The report submitted must be identical to the broadcast piece.

• Grand format television category: the length of the report must be between 6 and 30 minutes. The report submitted must be identical to the broadcast piece.

• Radio category: the length of the report must be between 1 minute and 6 minutes. The report submitted must be identical to the broadcast piece.

• Photo category: the application comprises a report made up of 8 to 15 photos.

Partners of the Bayeux Award, the HCR and Ouest-France will be addressing school students and inviting them to meet refugees who will talk about their experiences of exile and the importance of international protection for those fleeing from war and persecution. In this age of instantaneous information, the HCR and Ouest-France aim to give young people a different understanding of the position of refugees in France and around the world.

In addition, Nikon offers to pay for 12 participants for the training “REPORT IN DANGEROUS ZONES” of the Manoir created by France Médias Monde. In association with INA (the French national audiovisual archive) and with the support of Reporters without borders, the Manoir has already trained more than 360 reporters and information technicians and collaborates with many media. The training provided by the Manoir is now recognised as the reference standard in its field. While it is obvious that research and information-sharing are essential, the safety of journalists on assignment has to be both the primary concern and the starting point in the editorial process.
Because the journalist is the principal player in his or her own safety, the Manoir provides specific training and methodologies given by journalists to journalists, and brings in leading experts in the fields of health, emergency rescue and psychology.
By partnering with the Manoir, Nikon wants to support talented young photojournalists in the exercise of their profession by giving them the best possible training.
To apply, candidates must send their entry, including a CV, a motivation letter and one or more productions of a photo report produced in dangerous zones, to the address securite.academie@francemm.com before August 30, 2022.

It all began in 1978. The young Manoocher, who had spent four years in Rome studying cinema with the ambition of becoming a cameraman, returned home to Iran. At that time there were rumblings of revolt: the people were rising up against the Shah and his repressive policies. Students had taken to the streets demanding greater freedom and democracy. As the production of films for cinema had come to a halt, Manoocher grabbed his equipment and went out to record the history of his country for posterity. Armed with his camera and a few rolls of film he photographed demonstrators and soldiers, and began working for the Sipa Press agency and AFP. The first accolades followed – he was awarded the World Press first prize in 1984 – and so did the first repressive measures: his photos of child soldiers and executions irritated the authorities. He was imprisoned, beaten and threatened. His press card was confiscated several times. In 1985 the risks had become too great and Manoocher decided to flee his country. He went into exile in France with his wife and his daughter Maral, who was only one year old at the time. This was the beginning of a long journey and a long career all over the world, sometimes marked by incredibly fortuitous timing.

After he had spent a few months in Paris, AFP asked Manoocher to take part in developing their international bureaus. He decided to go to Central America “in order to get away as far as possible from the Middle East”. Based in Costa Rica, he worked with local photographers covering the wars and social crises that were raging in Guatemala, Nicaragua and El Salvador, and he was in Panama during the invasion by the United States in 1989. After Iran, this was the second time Manoocher had found himself at the heart of the news. At the beginning of the 1990s he took over as bureau chief for AFP in Cairo, where he covered the Israeli-Palestinian conflict in particular. The photojournalist once again found himself in the thick of the news when Yasser Arafat returned to Palestine after 27 years of exile. Jerusalem, Somalia, the Gulf War, the siege of Sarajevo…Manoocher’s career continued but was temporarily halted in 1996 when an Israeli sniper shot him in the leg in Ramallah. He was very seriously wounded and had to be repatriated to France, where he spent 18 months in the military hospital of Les Invalides – the only civilian among all the veterans. He sorted his photos in his room, producing features for AFP. During his stay there he received a visit from President Jacques Chirac: he granted him French citizenship, which would make international travel much easier from then on. On his return to the field, Manoocher covered official visits abroad by the French Government. In 2000 he was a victim of the controversial visit by Lionel Jospin to Palestine: he was hit on his weakened leg by the Prime Minister’s car as it was fleeing from the stones being thrown. It was the same story again: repatriation, Les Invalides and a forced break. But in spite of the risks, Manoocher felt he had a mission and refused to give up taking photographs, speaking out and bearing witness. He had understood for many years that “photographs make an impact, they enable society to be told, they give a voice to the voiceless”.

As the situation in Egypt was becoming more and more dangerous for journalists, Manoocher and his family left the country. He was tired, and in 2014 he decided to settle in the Apulia region of Italy.  He bought a farm where he grows vines. He continues his career as a photographer surrounded by his family and his many animals, but far from war zones. In October 2021 he will be Jury Chair for the 28^th Prix Bayeux Calvados-Normandie. The man who embraced his destiny with a career spanning 45 years as a photojournalist modestly calls this  “A great honour”.

A FEW DATES

1954 ❱ Born in Urmia, Iran

1980 ❱ American Deadline Press Club, Special Achievement prize

1984 ❱ World Press, first prize in the news category for his photos of the Iran-Iraq war

1986 ❱ World Press Photo, third prize

2002 ❱ Set up Aïna, photography school in Kabul,  Afghanistan

2004 ❱ Howard Chapnick Award for Advancement of Photojournalism

2012 ❱ Jury member, World Press Photo

2019 ❱ Publication of Iran : Rêves et dérives (Iran: Dreams and Excesses), co-published with his brother Reza, with texts by Rachel Deghati

2020 ❱ Publication of Eyewitnessed, a biographical work written by his wife Ursula Janssen, an archeologist and writer

Caption: GHAZNI, AFGHANISTAN – DECEMBER 2:
A demining team of the Afghan national army detonate an Improvised explosive device that have been found on the Ghazni-Kandahar highway. A team from camp Sultan search this road for IEDs on a daily basis and often found one or many that have been set up by the Talibans the night before. Improvised explosive devices are one to the leading cause of casualties among civilians and members of the Afghan security forces.

Lorenzo Tugnoli

Lorenzo Tugnoli is an Italian photographer based in Lebanon who covers the Middle East and Central Asia. His work is an ongoing exploration of the humanitarian consequences of conflicts in the region. In 2014 he published “The Little Book of Kabul”, a book project that depicts a portrait of Kabul through the daily life of a number of artists who live in the city, in collaboration with writer Francesca Recchia.
He is a contract photographer for The Washington Post and his work has been published by The New York Times, The Wall Street Journal, and Time Magazine among others.
He joined the photography agency Contrasto in 2017.
Lorenzo is the 2019 Pulitzer Prize Winner in Feature Photography, and was awarded the 1^st prize in General News Stories for the World Press Photo in the same year.
In 2020 he was awarded the 1^st prize in Contemporary Issues Stories for the World Press Photo and the 2nd prize for Issue Reporting Picture Story at the PoY.

© Bayeux Award photo 2020 – Lorenzo Tugnoli

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An exhibition by Rémy Ourdan and Damir Sagolj

Hôtel du Doyen
Exhibition design: Laurent Hochberg
4 October to 21 November 2021

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What does it mean to be neighbours during the darkest moments endured by a city, a society, or a nation? What does it mean to become a Righteous in time of war?

In order to create this multimedia exhibition, inspired by a series of articles published in Le Monde in 2019 – an exhibition that combines journalistic reports, historical documents and artistic works, reporters Rémy Ourdan and Damir Sagolj travelled through two cities that symbolise the peoples of the Book and the rifts in today’s world. On one hand there is Sarajevo, the last “Jerusalem of Europe” and the first target of the return of nationalisms on the Old Continent, besieged at the end of the 20th century; and Jerusalem, centre of the world, holy city of the three monotheistic faiths and the epicentre of the turmoil in the Middle East and the Israeli-Palestinian conflict. Two cities that have captured the world’s attention and tell a universal story.
In Sarajevo, to start with the arrival of the Jews from al-Andalus, than go to the Purim revolt and the rescue of the precious Haggadah book, than evoke the help given to Jews during the Holocaust as well as the help provided by Jews to the other besieged people during the Bosnian war: this journey in the footsteps of men and women who placed their universal existential values above any conflict related to identity, politics or religion. By recounting these episodes in the history of the Jews of Sarajevo and their Bosniak, Serbian or Croatian neighbours, the authors seek to shed light on traces of humanity.
A tribute to the Righteous.
A tribute to an art of living.

Photo illustrating the article: exhibition at the Hotel du Doyen during the 2020 Bayeux Award event © Julien Buyck – Prix Bayeux 2020

The Nikon Meetings

This year’s Nikon Encounters will take place on Friday 8 October at la Halle ô Grains in Bayeux and on the brand’s social networks.  The programme includes portfolio reviews, equipment loan, a masterclass, personal stories and interviews that will allow the public to learn more and to exchange with these great eyewitnesses of current affairs.

MASTERCLASS with Manoocher Deghati, 11.00 to 12 noon – Open to all
An exceptional masterclass with MANOOCHER DEGHATI, President of the Jury
The masterclass will be a unique opportunity to meet this great photographer, at once a photojournalist, war correspondent and teacher, and to look back at his work and career.
Masterclass introduced by Dimitri Beck – Picture Editor, Polka

PORTFOLIO REVIEWS 1.30pm to 3.30pm – With prior registration
The reviews will be carried out by leading picture and photojournalism professionals and are intended for both amateurs and professionals who have produced photographic reports on current affairs subjects or in dangerous situations (conflict zones, demonstrations etc).

To apply, it is necessary to complete the form before September 19, 2021: https://forms.gle/RXWuHR7rVbLU8AWw7

Files can also be sent to nikonbayeux@gmail.com

The portfolio reviewers :

• Dimitri Beck – Picture Editor, Polka and for the Polka gallery
• Lionel Charrier – Picture Editor, Libération
• Pierre Terdjman – Documentary photographer, co-founder of #DYSTURB
• Olga Kravets – Photographer and director

ROUND TABLE 3.30pm to 4.30pm – Open to all
What does it mean to be a young photojournalist today? Photojournalists come to exchange and to talk about their own beginnings as photojournalists in dangerous zones: How do you start? What training do you need? What are the risks and what drives them?

LOAN OF EQUIPMENT 10.00am to 6.00pm – Open to all
Nikon is offering the opportunity to get to know the Nikon Z cameras and try them out in the streets of Bayeux for the day. Experts from Nikon will be on hand to answer questions from amateur and professional photographers.

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Halle ô Grains
66 rue Saint-Jean
10 am to 6 pm

Free Admission

As partners of the Bayeux award, the HCR and Ouest-France will be addressing school students and inviting them to meet refugees who will talk about their experiences of exile and the importance of international protection for those fleeing from war and persecution. In this age of instantaneous information, the HCR and Ouest-France aim to give young people a different understanding of the position of refugees in France and around the world.